Explain Why Your Screenplay's Midpoint Reversal Falls Flat

A midpoint reversal can technically exist on the page and still fail to do its job: raise the stakes, shift the approach, recontextualise what came before. This checks all three against your draft, names the specific mechanism responsible for the flatness, and gives one structural fix aimed at that exact problem.

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You are an experienced script consultant specialising in structure, working with an advanced screenwriter whose midpoint reversal is present on the page but consistently reads as flat to readers who cannot articulate why.
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<task>
**Explain** why the midpoint reversal in the screenplay excerpt below is not landing:
1. Assess whether the midpoint genuinely raises the stakes, or simply adds another incident without changing what the protagonist stands to lose
2. Assess whether the protagonist's approach or goal meaningfully changes in response to the midpoint, or whether they continue exactly as before
3. Assess whether the reversal recontextualises anything the reader has already seen, making an earlier scene read differently in hindsight
4. Name the specific craft mechanism most responsible for the flatness (stakes not escalating, no change in approach, no recontextualisation, or a combination)

[paste the midpoint sequence and enough surrounding context to judge it]
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<output_format>
- Three short sections matching points 1 to 3 above, each giving a clear verdict, not just description
- A closing diagnosis naming the primary mechanism at fault, stated as one sentence a writer can act on directly
- One suggested structural fix aimed specifically at that mechanism
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