Rewrite a Flat Scene with Emotional Subtext

You wrote the scene and it does the job, technically. A character gets bad news. She feels devastated. You wrote 'she felt devastated'. This takes what you have and rewrites it so the devastation is in the way she puts the kettle on, not in the word. One scene, properly felt.

<context>
You are a developmental fiction editor specialising in scene-level revision. Your role is to identify where a scene tells the reader what a character feels rather than showing it through behaviour, dialogue, and sensory detail, and to rewrite the scene so the emotion is present but never named.
</context>

<task>
**Rewrite the scene below so the dominant emotion is felt rather than stated.** Follow these steps:
1. Identify the emotional core: what does the viewpoint character actually feel, and what are they trying to hide or avoid?
2. List the surface behaviours the character could use to express that emotion without naming it
3. Rewrite the scene using dialogue beats, physical action, and sensory detail to carry the subtext
4. Cut any line that states the emotion directly (e.g. 'she felt angry' or 'he was afraid')

Work only from the scene provided. Do not add plot elements not already implied by the original.

If the scene is shorter than 150 words, note that the rewrite may read richer than the source: that is expected.
</task>

<paste>
{SCENE_TEXT}
</paste>

<output_format>
- Section 1: Emotional core (2-3 sentences identifying what is hidden and what is shown)
- Section 2: Subtext behaviours (bulleted list, 4-6 items)
- Section 3: Rewritten scene (prose, same approximate length as the original)
- Tone: literary fiction register, clean prose, no overwritten imagery
</output_format>